SAN FRANCISCO JEWISH FILM FESTIVAL | SFJFF 2010

July 24-August 9 | 866-558-4253

6 Points with Nick Fox-Gieg

Nick Fox-Gieg, Director of SFJFF's featured online short THE ORANGE, opened up to SFJFF about his inspiration, his challenges, and his thoughts on gefilte fish. Click here to watch the orange online now.

What inspired you to make this film?

In early 2005, I went to a themed party where everyone was required to bring one page of text to read aloud.  I'd forgotten to bring anything, but fortunately I'd just read Benjamin Rosenbaum's (very short) short story "The Orange" online that morning.  So I printed it out and read it--and the response was so enthusiastic that I thought I'd ask the author for permission to turn it into a film.

What was your greatest challenge during the filmmaking process?

Figuring out how to deal with the rapidly-changing setting was the hardest part--the narration zips all over the place in just a couple minutes.  I ended up telling the story, or at least most of it, in one continuous shot.

Any thoughts you’d like to share about screening this film in a Jewish context?

I've come up with at least three possible religious interpretations of the story, but I've decided it was meant to stay mysterious.

What film/media has inspired you lately?

I'm a big fan of "Sita Sings the Blues."  In addition to the merits of the film itself, it's a feature-length animation produced on a tiny budget while successfully fighting a dubious copyright claim--inspiring stuff.

What do you do when you’re not filmmaking?

After thinking about this for a minute or two, I gave up.

Lastly, gefilte fish: delicious, or disgusting?

It's one of those things that's got to be made just right, I think--in which case, delicious.

 

 

Nick Fox-Gieg is an animator and video artist based in Toronto. His short films have been shown at the Rotterdam and Ottawa film festivals, at the Centre Pompidou in Paris, and on CBC TV. His projections have been featured in the Festival d'Avignon production Boxed In and the Broadway musical Squonk; he's performed his live sound and video works at the Paradiso in Amsterdam and the Redcat Theater in Los Angeles.

Fox-Gieg received his MFA from the California Institute of the Arts in 2004, and his BFA from Carnegie Mellon University in 1999. He's received a Bravo!FACT commission, three U.S. state Media Arts Fellowships, and a Fulbright grant to the Netherlands; he was awarded Ontario Arts Council and Toronto Arts Council Media Artist grants in 2009.

 

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I have watched this movie & I

I have watched this movie & I can tell that, it's really a good one.
It's discussing many social subjects which are the core of our daily life.
While keeping the religious interpretations of the story mysterious has created a suspense & mind thinking while watching the movie.
I would like to say, good work, keep it up.

Thanks for sharing.........

Thanks for sharing.........

This is such a great resource

This is such a great resource that you are providing and you give it away for free. I love seeing websites that understand the value of providing a quality resource for free. It is the old what goes around comes around routine. Did you acquired lots of links and I see lots of trackbacks??

So... here we got to know a

So... here we got to know a lot about this legendary director,thanks to you man for publishing the interview.

Hello Fox-Gieg! I am your

Hello Fox-Gieg!

I am your biggest imaginary fan :)

Big love from Imaginary Friend :)

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Read All About It.

 

Articles

San Francisco Chronicle  Walter Addiego, Chronicle staff writer, talks about the exciting line-up for the festival

IndieWire  Nigel M Smith writes about a host of promising films and speciality events

J Weekly  "It's Jewish Movie Time"

J Weekly Michael Fox reviews Saviors in the Night

J Weekly Michael Fox reviews Budrus

Religion News calls Saviors in the Night "a saga of life during wartime"

Beyond Chron reviews Saviors in the Night and Amos Oz: The Nature of Dreams

San Francisco Chronicle Ruthe Stein, Chronicle Movie Correpondent, talks about "Tough Guys: Images of Jewish Gangsters in Film"

San Francisco Chronicle Staff writers highlight films

SF Weekly talks about the Gangster films and panel and about the international line-up of films

The Bay Area Reporter talks about the festival and the "fascinating array of films"

The Daily Californian talks about the festival and how it celebrates a "wide variety of voices and perspectives that can fit under the umbrella of Jewishness"

San Francisco Bay Times calls A Room and a Half "visually intoxicating"

Beyond Chron reviews Jews and Baseball: An American Love Story and other noteworthy films

Marin Independent Journal talks about participants in Half-Remembered Stories

SF 360 Michael Fox reviews the festival

San Francisco Bay Guardian reviews Protektor and A Small Act

San Francisco Bay Guardian talks about Einsatzgruppen: The Death Brigades and A Film Unfinished

San Francisco Chronicle  John Clark reviews the documentary The Klezmatics: On Holy Ground and interviews band member Lisa Gutkin

 

 

  Blogroll

The Squid List Laughing Squid predicts "You'll laugh, you'll cry...and you'll talk about it."

USA Travel Guide, Tips from a Rambling American Calls us "One of the stand-out events in a city known for its cinemaniacs."

Bay Flicks Writes about the line-up and spotlights

The Evening Class Michael Hawley previews the festival line-up

UC Santa Cruz SFJFF is an opportunity to come together as a group

My Cultural Landscape Talks about "Ingelore" and calls it "...a deeply moving documentary."

Women's Lens Writes about festival Sneak Peak events and Special Events

Building Jewish Bridges   Is looking forward to Opening Night film Saviors in the Night

Six For Five Writes about Jewish Mobsters crossing the Golden Gate ("Tough Guys: Images of Jewish Gangsters in Film" Panel)

Culture Shuk Talks about Panel Event "Is Dialogue Possible? How Films Help Us Talk About Israel(...Or Not)"

Trust Movies The SFJFF "is like some amazing, 17-day, potluck supper in which nearly everything is likely to prove delicious"

Flavorpill says "…San Francisco Jewish Film Festival showcases complex perspectives on Jewish identity."

Brokeass Stuart predicts "...all you Judeo-cinephiles out there will find yourself in movie heaven."

Undine introduces Sayed Kashua, recipient of this year's SFJFF Freedom of Expression award in the newest blog

Zvent calls the screening of Hungry Hearts with live score provided by the Moab Strangers a "don't miss event."

TrustMovies  provides a review of the "beautiful/devastating" film The Wolberg Family and an interview with director Axelle Ropert

TrustMovies reviews Grace Paley: Collected Shorts and calls it "...immediate, enthralling, moving and funny"