SAN FRANCISCO JEWISH FILM FESTIVAL | SFJFF 2010

July 24-August 9 | 866-558-4253

Six Points with Nick Fox-Gieg

This April, SFJFF brings you another animated short from director Nick Fox-Gieg.  The Option of War adapts an early Kafka story, and screened as part of SFJFF's Jewtoons series in 2009.  Nick spoke to SFJFF about the film, its inspiration, and some of the challenges he had making it.

What inspired you to make this film?

This was my graduate thesis at Cal Arts. I was familiar with the Kafka story it's based on, and I was vividly reminded of it when driving through Mexico's Oaxaca State at night in 2002.  I'd already started work on it when the Iraq War began, and that couldn't help but strongly influence the direction it took from there.

  

What was your greatest challenge during the filmmaking process?

 It was my first time working in HD, so there were a lot of unexpected technical obstacles.  Fortunately, I was able to finish the film at the National Film Board of Canada's headquarters in Montreal, so I had access to some excellent advice and support.

 

Any thoughts you’d like to share about screening this film in a Jewish context?

The Kafka story's title is "Jackals and Arabs" ("Schakale und Araber"), and I believe its meaning is entirely innocent for the context of a Czech Jewish writer in 1917:  it's a Silk Road-style merchant caravan that encounters the Jackals in the original, rather than the convoy of soldiers in my film.  Kafka's context isn't ours, though, and it was clear to me from the beginning that the story would need to be revised as a result.

 

What film/media has inspired you lately?

I'm really excited about the animation possibilities now that match-moving software--used to create the amazing hand-held shots in films like "District 9"--is becoming affordable for low-budget filmmakers.  I've also just finished playing "Bioshock" (yeah, I'm aware I'm slightly behind the times), which is the first video game I've seen that maintains a strong narrative throughout, and not just at key plot points.

 

What do you do when you’re not filmmaking?

I teach at York University, and I play keyboards, and then I generally run out of time.

 

Lastly, gefilte fish: delicious, or disgusting?

Depends on how it's made.  We've got my Bubbie's recipe on file somewhere, for anyone who's interested.

Links

See Yourself in Pictures!

Check out these great pics from SFJFF30 programs and events. Tag them, print them, and share them.

www.flickr.com
San Francisco Jewish Film Festival's items Go to San Francisco Jewish Film Festival's photostream

 

Read All About It.

 

Articles

San Francisco Chronicle  Walter Addiego, Chronicle staff writer, talks about the exciting line-up for the festival

IndieWire  Nigel M Smith writes about a host of promising films and speciality events

J Weekly  "It's Jewish Movie Time"

J Weekly Michael Fox reviews Saviors in the Night

J Weekly Michael Fox reviews Budrus

Religion News calls Saviors in the Night "a saga of life during wartime"

Beyond Chron reviews Saviors in the Night and Amos Oz: The Nature of Dreams

San Francisco Chronicle Ruthe Stein, Chronicle Movie Correpondent, talks about "Tough Guys: Images of Jewish Gangsters in Film"

San Francisco Chronicle Staff writers highlight films

SF Weekly talks about the Gangster films and panel and about the international line-up of films

The Bay Area Reporter talks about the festival and the "fascinating array of films"

The Daily Californian talks about the festival and how it celebrates a "wide variety of voices and perspectives that can fit under the umbrella of Jewishness"

San Francisco Bay Times calls A Room and a Half "visually intoxicating"

Beyond Chron reviews Jews and Baseball: An American Love Story and other noteworthy films

Marin Independent Journal talks about participants in Half-Remembered Stories

SF 360 Michael Fox reviews the festival

San Francisco Bay Guardian reviews Protektor and A Small Act

San Francisco Bay Guardian talks about Einsatzgruppen: The Death Brigades and A Film Unfinished

San Francisco Chronicle  John Clark reviews the documentary The Klezmatics: On Holy Ground and interviews band member Lisa Gutkin

KQED Arts writes about the festival's Spotlight Series People of the Book  and calls it "a highlight of the festival."

Pacific Sun Renata Polt reviews the line-up of SFJFF films screening in San Rafael

New America Media provides an audio interview with Sayed Kashua, creator of Arab Labor and winner of the 2010 SFJFF Freedom of Expression Award

Haaretz Daily Newsletter / Israel News, Writer Sayed Kashua in a hilarious piece about winning the 2010 SFJFF Freedom of Expression Award

 

  Blogroll

The Squid List Laughing Squid predicts "You'll laugh, you'll cry...and you'll talk about it."

USA Travel Guide, Tips from a Rambling American Calls us "One of the stand-out events in a city known for its cinemaniacs."

Bay Flicks Writes about the line-up and spotlights

The Evening Class Michael Hawley previews the festival line-up

UC Santa Cruz SFJFF is an opportunity to come together as a group

My Cultural Landscape Talks about "Ingelore" and calls it "...a deeply moving documentary."

Women's Lens Writes about festival Sneak Peak events and Special Events

Building Jewish Bridges Is looking forward to Opening Night film Saviors in the Night

Six For Five Writes about Jewish Mobsters crossing the Golden Gate ("Tough Guys: Images of Jewish Gangsters in Film" Panel)

Culture Shuk Talks about Panel Event "Is Dialogue Possible? How Films Help Us Talk About Israel(...Or Not)"

Trust Movies The SFJFF "is like some amazing, 17-day, potluck supper in which nearly everything is likely to prove delicious"

Flavorpill says "…San Francisco Jewish Film Festival showcases complex perspectives on Jewish identity."

Brokeass Stuart predicts "...all you Judeo-cinephiles out there will find yourself in movie heaven."

Undine introduces Sayed Kashua, recipient of this year's SFJFF Freedom of Expression award in the newest blog

Zvent calls the screening of Hungry Hearts with live score provided by the Moab Strangers a "don't miss event."

TrustMovies provides a review of the "beautiful/devastating" film The Wolberg Family and an interview with director Axelle Ropert

TrustMovies reviews Grace Paley: Collected Shorts and calls it "...immediate, enthralling, moving and funny"

Voxtheatricum blogs about "Dirty Dancing" at Union Square

Tango Diva reviews the festival line-up and calles it "...diverse...promises to astound you with fantastic performances not likely to ever be seen at a theater near you."

Culture Shuk Elise Bernhardt, Executive Director of the Foundation for Jewish Culture gives her impression of the "most interesting" panel "Is Dialogue Possible? How Films Help Us Talk About Israel (...Or Not)"

JTA - Jewis & Israel News Sue Fishkoff writes about Arab Labor and it's creator and recipient of the 2010 SFJFF Freedom of Expression Award Sayed Kashua.

Chloe Veltman reviews Opening Night film Saviors in the Night and the Opening Night After-Film Bash at the Swedish American Hall "...there was a great buzz in the building."